Hilma af Klint, « Le Cygne n° 16 » (1914-1915) – Art abstrait – Reproduction à l'huile peinte à la main par Dafen Village Studio

Painted between 1914 and 1915 as part of Group IX/SUW in The Paintings for the Temple, The Swan (No. 16) stands as a crucial composition in af Klint’s progressive abstract synthesis of the swan motif. Moving beyond figurative representation, the artwork features concentric circular geometry and intersecting color segments that balance light and dark, spirit and matter, dualities and unity. Decades ahead of European geometric abstraction, af Klint translates complex spiritual theories into pure, harmonic visual geometry.

Points forts en matière de savoir-faire et de qualité de l'atelier

• Modèle 100%, peinture à la main : Handcrafted entirely by senior oil masters at Dafen Village Studio using traditional multi-layer oil glazing, crisp line execution, and smooth color layering.

• Matériaux de qualité archivistique : Rendered on heavy-duty, high-density cotton/linen canvas using lightfast, professional-grade oil pigments to preserve crisp color boundaries and hue depth for generations.

• Geometric Precision: Meticulous rendering of concentric circles, sharp radial divides, and balanced color harmony based on museum references.

• Custom Proportions Available: Offered in classic original square scale ($150 \times 150\text{ cm}$) or customized dimensions tailored to specific interior layout requirements.

Emplacement recommandé dans la pièce

• Résidentiel : Serves as a central feature artwork above living room sofas, fireplace mantels, modern dining room sideboards, or main hallway focal walls.

• Publicité : Complements contemporary boutique hotel lobbies, design studio reception areas, corporate conference rooms, and modern gallery halls.