-
- Peint en 1964, 29.01.64 is a monumental abstract work measuring 260 x 200 cm. Zao Wou-Ki abandons figurative boundaries, building the composition with sweeping, interwoven brush movements that ripple across the entire canvas. There is no fixed focal point; energy drifts freely across the surface, just like flowing water, mist or distant mountain vistas from classical Chinese landscape painting. The expansive format gives the painting immersive, breath-taking spatial depth, inviting the eye to wander through shifting layers of colour and gesture.
Palette, lumière et ambiance sobre
Zao’s palette leans into deep, harmonious tones with subtle colour transitions. Washes of rich blues, earthy umbers, muted greys and soft translucent overlays interlace, balancing explosive painterly energy with oriental restraint. Rooted in abstract expressionism yet infused with the philosophy of Chinese shan-shui, the mood is poetic and meditative. It evokes natural phenomena — storm, fog, river and sky — without literal depiction. The surface carries luminous, breathing depth rather than sharp contrast. The artist’s note on the reverse “ne pas vernir” (do not varnish) reflects his intention to preserve the raw, unobscured texture of the paint itself.
Points clés de l'interprétation des peintures à la main
This is a hand-painted oil reproduction, not the original artwork. Our Dafen studio painters carefully study Zao’s signature fluid, calligraphic brush language. Great attention is paid to retaining the transparency of thin glazes alongside thicker impasto strokes, and the spontaneous, rhythmic quality of each mark. We respect the original instruction “ne pas vernir” in our interpretation ethos, keeping the surface texture natural. Every hand-painted piece holds unique subtle variations in stroke and colour blend, which sets it apart from flat printed copies.
Idées de décoration d'intérieur
This monumental abstract piece is a powerful statement artwork for modern minimalist, contemporary, oriental Zen and luxury neutral interiors. It pairs wonderfully with warm stone, dark timber, concrete or plain off-white walls. Given its large original scale, it works best as a solo centrepiece; avoid crowding it with multiple competing bold artworks. Soft diffused ambient lighting reveals the layered paint depth and translucent colour washes. We recommend measuring your wall space carefully before selecting your final canvas size. (Word count: 424)
Informations clés
- Reproduction à l'huile peinte à la main, et non l'œuvre originale de Zao Wou-Ki
- Interprètes 29.01.64, peint en 1964, huile sur toile
- Original dimensions: 260 x 200 cm (102 3/8 x 78 6/8 in.)
- Original reverse inscription: Zao Wou-Ki 29.1.64 260 x 200. ne pas vernir (do not varnish)
- Réalisé par des artistes de l'atelier d'artistes de Dafen
- Peint en 1964, 29.01.64 is a monumental abstract work measuring 260 x 200 cm. Zao Wou-Ki abandons figurative boundaries, building the composition with sweeping, interwoven brush movements that ripple across the entire canvas. There is no fixed focal point; energy drifts freely across the surface, just like flowing water, mist or distant mountain vistas from classical Chinese landscape painting. The expansive format gives the painting immersive, breath-taking spatial depth, inviting the eye to wander through shifting layers of colour and gesture.
Processus de peinture à la main




Télécharger une photo – Art personnalisé (facultatif)





Avis
Il n’y a pas encore d’avis.